By ISAAC ASIMOV The spell was August 1, 1941. Cosmos-people War II had been impetuous for two years. France had prone, the Battle of Britain had been fought, and the Soviet Union had equitable been invaded by Nazi Germany. The bombing of Pearl Harbor was immodest months in the hereafter. But on that day, hereafter a while Europe in flames, and the misfortune attendant of Adolf Hitler unctuous elapsing aggravate all the cosmos-people, what was largely on my inclination was a convocation inland which I was hastening. I was 21 years old, a furrow ward in chemistry at Columbia University, and I had been adaptation information fable professionally for three years. In that spell, I had sold five stories to John Campbell, editor of Astounding, and the fifth romance, "Nightfall," was encircling to answer in the September 1941 end of the case. I had an provision to see Mr. Campbell to acquaint him the contrive of a new romance I was planning to transcribe, and the lay-hold-on was that I had no contrive in inclination, not the investigate of one. I consequently practised a show I casually use. I notorioused a work at unpremeditated and set up permitted denomination, initiation hereafter a while whatforcontinually I proudest saw. The work I had hereafter a while me was a store of the Gilbert and Sullivan plays. I happened to notorious it to the represent of the Fairy Queen of lolanthe throwing herself at the feet of Private Willis. I reasoning of host, of soldierly empires, of the Roman Empire of a Galactic Empire aha! Why shouldn't I transcribe of the sink of the Galactic Empire and of the come-back of feudalism, written from the viewpoint of someone in the asunfailing days of the Cooperate Galactic Empire? Hereafter all, I had unravel Gibbon's Decline and Sink of the Roman Empire not uninterruptedly, but twice. I was bubbling aggravate by the spell I got to Campbell's, and my excitement must enjoy been lay-hold-oning for Campbell blazed up as I had nforcontinually seen him do. In the plan of an hour we built up the idea of a colossal rotation of aaffect stories that were to negotiate in mazy specialty hereafter a while the thousand-year continuance betwixt the Highest and Cooperate Galactic Empires. This was to be illuminated by the information of psychohistory, which Campbell and I thrashed out betwixt us. On August 11, 1941, consequently, I began the romance of that interregnum and designated it "Foundation." In it, I picturesque how the psychohistorian, Hari Seldon, certain a brace of Foundations at antagonistic ends of the Universe inferior such situation as to compel unfailing that the forces of hiromance would procure encircling the cooperate Empire hereafter one thousand years instead of the thirty thousand that would be required inadequately. The romance was submitted on September 8 and, to compel unfailing that Campbell veritably mediumt what he said encircling a rotation, I ended "Foundation" on a cliff-hanger. Thus, it seemed to me, he would be stubborn to buy a cooperate romance. However, when I inaugurated the cooperate romance (on October 24), I root that I had outsmarted myself. I quickly wrote myself into an impasse, and the Foundation rotation would enjoy died an infamous dissolution had I not had a colloquy hereafter a while Fred Pohl on November 2 (on the Brooklyn Bridge, as it happened). I don't bear-in-mind what Fred in-occurrence said, but, whatforcontinually it was, it pulled me out of the nook. "Foundation" answered in the May 1942 end of Astounding and the hereafter romance, "Bridle and Saddle," in the June 1942 end. After that there was barely the rotation grief of adaptation the stories. Through the relics of the decade, John Campbell kept my nose to the grindstone and made unfailing he got attached Foundation stories. "The Big and the Little" was in the August 1944 Astounding, "The Wedge" in the October 1944 end, and "Dead Hand" in the April 1945 end. (These stories were written while I was launched at the Navy Yard in Philadelphia.) On January 26, 1945, I began "The Mule," my separate jewel incomplete the Foundation stories, and the longest yet, for it was 50,000 signification. It was printed as a two-keep-adeal-out serial (the very proudest serial I was forforcontinually binding for) in the November and December 1945 ends. By the spell the cooperate keep-akeep-adeal-out answered I was in the phalanx. After I got out of the phalanx, I wrote "Now You See It" which answered in the January 1948 end. By this spell, though, I had aged wearied of the Foundation stories so I practised to end them by enhancement up, and solving, the shroud of the dregs of the Cooperate Foundation. Campbell would enjoy none of that, well-balancedtually. He stubborn me to exexchange the result, and made me word I would do one aggravate Foundation romance. Well, Campbell was the bark of editor who could not be spoiled, so I wrote one aggravate Foundation romance, vowing to myself that it would be the definite. I designated it "?And Now You Don't," and it answered as a three-keep-adeal-out serial in the November 1949, December 1949, and January 1950 ends of Astounding. By then, I was on the biochemistry endowment of Boston University School of Medicine, my proudest work had equitable been circulateed, and I was robust to actuate on to new things. I had departed view years on the Foundation, written nine stories hereafter a while a sum of encircling 220,000 signification. My sum hues for the rotation came to $3,641 and that seemed sufficient. The Foundation was aggravate and done hereafter a while, as far as I was unquiet. In 1950, well-balancedtually, hardcaggravate information fable was equitable hereafter into creature. I had no impediment to wining a pigmy aggravate coin by having the Foundation rotation reprinted in work devise. I offered the rotation to Doubleday (which had already circulateed a information-fable fantastic by me, and which had straightened for another) and to Little-Brown, but twain unusual it. In that year, though, a little circulateing rooted, Gnome Press, was initiation to be locomotive, and it was prepared to do the Foundation rotation as three works. The circulateer of Gnome felt, well-balancedtually, that the rotation began too abruptly. He persuaded me to transcribe a little Foundation romance, one that would accommodate as an initiatory minority to the proudest work (so that the proudest keep-akeep-adeal-out of the Foundation rotation was the definite written). In 1951, the Gnome Press edition of Foundation was circulateed, containing the induction and the proudest immodest stories of the rotation. In 1952, Foundation and Empire answered, hereafter a while the fifth and sixth stories; and in 1953, Cooperate Foundation answered, hereafter a while the seventh and viewh stories. The three works concomitantly came to be designated The Foundation Trilogy. The unaffected occurrence of the creature of the Trilogy pleasant me, but Gnome Press did not enjoy the financial bungle or the circulateing knowhow to get the works reserved truly, so that few copies were sold and fewer calm?} remunerated me royalties. (Nowadays, copies of proudest editions of those Gnome Press works retail at $50 a portraiture and up?but I calm?} get no royalties from them.) Ace Books did put out paperback editions of Foundation and of Foundation and Empire, but they exmodifiable the titles, and used cut accounts. Any coin that was confused was remunerated to Gnome Press and I didn't see abundantly of that. In the proudest decade of the creature of The Foundation Trilogy it may enjoy wined star affect $1500 sum. And yet there was some irrelevant regard. In present 1961, Timothy Seldes, who was then my editor at Doubleday, told me that Doubleday had accepted a demand for the Portuguese hues for the Foundation rotation and, gone they weren't Doubleday works, he was cessation them on to me. I sighed and said, "The heck hereafter a while it, Tim. I don't get royalties on those works." Seldes was horrified, and immediately set encircling getting the works loose from Gnome Press so that Doubleday could circuadvanced them instead. He remunerated no regard to my loudly explicit fears that Doubleday "would waste its shirt on them." In August 1961 an treaty was reached and the Foundation works became Doubleday gear. What's aggravate, Avon Books, which had circulateed a paperback account of Cooperate Foundation, set encircling obtaining the hues to all three from Doubleday, and put out exact editions. From that consequence on, the Foundation works took off and began to win increasing royalties. They enjoy sold well-mannered-mannered-mannered-mannered and steadily, twain in hardcaggravate and softcover, for two decades so far. Increasingly, the scholarship I accepted from the unravelers spoke of them in proud glorify. They accepted aggravate regard than all my other works put concomitantly. Doubleday to-boot circulateed an omnibus body, The Foundation Trilogy, for its Information Fable Work Club. That omnibus body has been once featured by the Work Club for aggravate twenty years. Matters reached a summit in 1966. The fans organizing the Cosmos-people Information Fable Convention for that year (to be held in Cleveland) firm to assign a Hugo for the best all-spell rotation, where the rotation, to capacitate, had to be of at smallest three aaffect fantastics. It was the proudest spell such a kind had been set up, nor has it been repeated gone. The Foundation rotation was nominated, and I felt that was going to enjoy to be luster sufficient for me, gone I was unfailing that Tolkien's "Lord of the Rings" would win. It didn't. The Foundation rotation won, and the Hugo I accepted for it has been sitting on my workcase in the livingroom forforcontinually gone. In incomplete all this litany of prosperity, twain in coin and in laurels, there was one tedious side-effect. Readers couldn't aid but attend-to that the works of the Foundation rotation adept barely three hundred-plus years of the thousand-year discontinuance betwixt Empires. That mediumt the Foundation rotation "wasn't perfect." I got innumerable scholarship from unravelers who asked me to terminate it, from others who demanded I terminate it, and calm?} others who threatened dire retaliation if I didn't terminate it. Worse yet, diverse editors at Doubleday aggravate the years enjoy sharp out that it force be judicious to terminate it. It was complimentary, of plan, but blistering as well-mannered-mannered-mannered. Years had passed, then decades. Back in the 1940s, I had been in a Foundation-adaptation vein. Now I wasn't. Starting in the advanced 1950s, I had been in a aggravate and aggravate nonfiction-adaptation vein. That didn't medium I was adaptation no fable at all. In the 1960s and 1970s, in occurrence, I wrote two information-fable fantastics and a shroud fantastic, to say pin of well-mannered-mannered-mannered-mannered aggravate a hundred limited stories but encircling viewy percent of what I wrote was nonfiction. One of the most indomitable nags in the subject of terminateing the Foundation rotation was my amiable companion, the excellent information-fable transcriber, Lester del Rey. He was continually acquainting me I ought to terminate the rotation and was equitable as continually suggesting contrive shows. He well-balanced told Larry Ashmead, then my editor at Doubleday, that if I refused to transcribe aggravate Foundation stories, he, Lester, would be voluntary to seize on the toil. When Ashmead mentioned this to me in 1973, I began another Foundation fantastic out of pure desperation. I designated it "Lightning Rod" and managed to transcribe immodestteen pages antecedently other toils designated me loose. The immodestteen pages were put loose and attached years passed.